Fringe: Season 2

More than twenty years ago, Walter Bishop set in motion a series of cataclysmic events by opening a doorway between this world and somewhere else. Those events have manifested as the Pattern, evidence of reality itself becoming malleable and where the rules of science have become less rigid. As Fringe Division continues its attempts to discover the secrets of the Pattern, the consequences of Walter's decision make themselves felt, with possible dire ramification

Fringe's second season picks up moments after the ending of the first season, with Olivia Dunham (Anna Torv) transported to another world. In an interesting dramatic choice, the writers do not immediately focus on Olivia's adventures on the other side, instead concentrating on the impact of her absence and unexpected reappearance on the more familiar characters. It's not until several episodes into the season that we get a flashback to the events of the Season 1 finale and learn more about what's going on. In the meantime, with the show wearing it's X-Files inspiration more blatantly than ever (for the first few episodes at least), our team have to face off against a group of shapeshifters from the other side.

The second season of Fringe still unloads a few solid stand-alone stories to the audience (most notably a quarantine drama set in an office block ravaged by an unknown disease), but the focus is much more closely on the serialised elements relating to 'the other side', Walter and Peter's backstory, the experiments run on Olivia when she was a child and how much the megacorporation Massive Dynamic know about what's happening. We get a new recurring bad guy in the form of Thomas Jerome Newton (an amiably villainous performance by Sebastian Roche), whose opposition to the Fringe Division's efforts creates much of the tension for the season.

As with the first season, the cast continues to deliver excellent performances, particularly Kirk Acevedo as FBI Agent Charlie Francis, who is given a meatier role in the opening and closing episodes of the season. The stand-out, of course, remains John Noble as Walter Bishop. His performance in the first season was already remarkable, but over the course of the second season it apotheosises onto the 'Patrick Stewart in Star Trek: The Next Generation' level of sheer dominance. Whether it's playing his traditional befuddled scientist role, lapsing into trauma at the memory of a two-decade old tragedy or temporarily regaining his old memories and becoming cold, arrogant and condescending, Noble plays his part to perfection, winning the audience's sympathy or, for his more morally dubious acts, at least their understanding.

The season reaches a huge emotional and acting peak in Peter, the fifteenth episode of the season and a major 'gamechanger' of an episode. Told mostly in flashback (complete with a retro, 1980s style music and title sequence), it not only explains much of the series's backplot, but it also gives us a look at the man Walter used to be and establishes the motivations of several major characters in the show. This kicks off a run of high quality episodes which mess around with the established formula, including one episode that is a bizarre noir thriller (the result of Walter - on various substances - trying to tell a children's story) and another that is a solo adventure for Peter out in the backwoods of Washington State (and may be a homage to Twin Peaks). The season concludes with a two-part finale which is the most epic thing the show's ever done, featuring multiple castmembers in different roles, impressive visual-effects shots and the successful depiction of portraying a world that is familiar but different. The cliffhanger ending is a bit of a doozy as well.

The season does have a bit of a stinker in Unearthed, easily the weakest episode of the show to date. It was produced as part of Season 1 and held back to the second, putting it out of continuity and also rather out of keeping with the rest of the show: outright ghostly possession seems a stretch too far for the show, which whilst flirting with the paranormal usually manages to provide at least an attempt at a pseudoscientific explanation for events. Luckily, the DVD and Blu-Ray release hides the episode in the 'special features' section, pleasing completists whilst also ensuring it isn't accidentally stumbled over whilst watching the main body of the season.

Overall, the second season of Fringe (*****) takes the excellent cast and premise of the first season and boots it onto another level, with exceptional acting (especially from John 'Criminally Emmyless' Noble) and some clever, coherent storytelling. The season is available now in the UK (DVD, Blu-Ray) and USA (DVD, Blu-Ray).

Shattered Pillars by Elizabeth Bear

The lands of the Celadon Highway are in turmoil. Civil war threatens the Khagante, whilst the city of Tsarepheth is consumed by a horrific plague. Far to the west, Temur and Samarkar continue their quest to find the fortress of Ala-Din and rescue Temur's former beloved, Edene. However, they are unaware that Edene has already left Ala-Din and acquired strange new allies of her own.

Picking up from the end of Range of Ghosts, Shattered Pillars continues Elizabeth Bear's intelligent, measured historical fantasy which melds elements of the fantastical with real history and even a few interesting nods towards science fiction. This is the middle volume of The Eternal Sky Trilogy and as such suffers a little from 'middle book syndrom'. There's no real beginning and the climaxes at the end of the book are somewhat muted (one major plot development amongst the Qersnyk feels quite rushed as well). After the excellently-paced Range of Ghosts there's also a slight feeling of sluggishness, as our major protagonists seem to spend a lot of time in two fairly similar cities getting involved in local politics and fighting off assassins before striking out to finally do what was planned some time before.

Still, all of Bear's other strengths remain intact. The characterisation is very strong, developing the existing characters in an interesting manner (especially Edene and the 'twins') as more minor characters from the first book (like Tsering) rise to prominence. Bear's use of the traditional epic fantasy narrative to challenge ideas about gender and 'barbarian' societies remains refreshing and is not over-laboured. A subplot about the company's horse even highlights the tiresome fantasy trope that horses are basically the cars of fantasyland and don't need to be fed, watered, rested and looked after, and approaches the subject more realistically. The end of the book also feels like it comes too soon, as the book is fairly short for a fantasy (less than 350 pages) and Bear's narrative leaves the reader wanting more.

Shattered Pillars (****) lacks the full impact of Range of Ghosts, but for the most part is a worthwhile and highly readable sequel. The novel is available now in the UK and USA. The final book in the trilogy, Steles of the Sky, will be published in 2014.

An Unreliable World: History and Timekeeping in Westeros

Last year I contributed to the book Beyond the Wall, a collection of commentaries and essays on A Song of Ice and Fire and its television adaptation. My essay is this week's 'Free Essay' over at Smart Pop Books, so it can be perused for free right now.

The essay discusses the often-dubious measures of time given in the series and how the ancient backstory of the books is fluid and unreliable as a result.

GAME OF THRONES Season 4 discussion

Myself, Elio from Westeros.org and Charlie Jane Anders have thrown some ideas around about how Game of Thrones' fourth season will unfold over on io9. Obviously, massive spoilers from A Feast for Crows and A Dance with Dragons are included.

I may expand on some of the ideas further here, but the general thrust of the argument is that I think the show needs to start hitting some AFFC/ADWD storylines by the end of Season 4 if they are going to fit all seven books into just seven or eight seasons, whilst Elio takes the view they can be a bit more relaxed and use most of the season to address the remaining Storm of Swords material. I guess we'll find out in March 2014.

Trailer for THE HOBBIT: THE DESOLATION OF SMAUG

The first trailer for the second Hobbit movie, The Desolation of Smaug, has been unveiled:

The film will be released on 13 December this year.

Two new KJ Parker books announced

Subterranean Press has announced it has two new books by KJ Parker in the works.

The first is a collection of her short fiction, Academic Exercises, which will be published in 2014. The book is 670 pages long. What will be included in the collection is not known at this time, but it's assumed to be most or all of her short fiction and novellas to date: Purple and Black, Blue and Gold, Amor Vincit Omnia, A Rich Full Week, A Small Price to Pay for Birdsong, Let Maps to Others, One Little Room an Everywhere, Illuminated and The Sun and I. Illuminated, The Sun and I and a non-fiction piece, Rich Men's Skins, can also be found in the current issue of Subterranean Magazine.

For 2015 Subterranean will also be releasing Parker's next novel, Savages. It is assumed that this will also be released by Parker's mass-market publishers (Orbit in the UK). Whether Academic Exercises will also get a big release or will remain a Subterranean-exclusive remains unknown.

It should be noted that SubPress refer to Parker as 'her' in their article.

RIP Iain Banks

The terrible news has broken that author Iain Banks has lost his battle with cancer. He was 59 years old.

Iain Banks came to immediate attention with the publication of The Wasp Factory in 1984. A contemporary novel, the book told the story of a mentally ill murderer and wasp-torturer. With its twist ending, matter-of-fact descriptions of stomach-churning scenes and its thick vein of black humour (best exemplified by the infamous 'psychopathic rabbit on a minefield' scene), it was immediately successful and made readers sit up and take notice. A series of similarly vivid and successful 'literary' novels followed: Walking on Glass, The Bridge and Espedair Street.

In 1987 Iain Banks released his first science fiction novel, Consider Phlebas. The move - a successful mainstream novelist moving into SF - was unexpected and commercially questionable. Banks moderated by the blow by continuing to alternate SF and mainstream work, and publishing his SF under the impenetrable pseudonym 'Iain M. Banks' (the M is for Menzies). Banks had actually started off writing SF in the 1970s, writing early versions of what later became Player of Games and Use of Weapons before the decade was out. He had switched to writing mainstream fiction to achieve enough success to get the SF published, and was successful in that regard (despite concerns over the SF community of accusing him of 'selling out', which never materialised).

Consider Phlebas introduced Iain Banks's signature creation, the Culture. Banks envisaged a utopian society consisting of multiple species and advanced benevolent AIs, living on a mixture of planets and exotic megastructures (most notably the Orbitals, more sensible and practical versions of Niven's Ringworld; it was actually the Orbitals that served as the inspiration for the titular constructs in the Halo video game series). In his novels Banks explored how such a utopian society could exist, usually by showing the more underhand and devious ways the Culture would protect itself and affect other civilisations.

Banks continued writing both mainstream and SF. His 1992 novel The Crow Road was adapted as a successful BBC mini-series, whilst 1993's Complicity became a feature film. However, his masterpiece is his 1990 SF novel, Use of Weapons. This novel features two streams of narrative, one moving forwards and one moving backwards, both building to huge climaxes.

Outside of his fiction, Banks was a huge fan of whiskey. In 2003 he wrote his only work of non-fiction, Raw Spirit, an account of Scottish whiskey distilleries.

Banks's work meant that he simultaneously became known as one of Britain's leading SF authors as well as a rising star of its literary scene. He ultimately became one of Britain's best-known authors. In 2007 his dual writing identity was acknowledged in a running gag in the Simon Pegg/Edgar Wright movie Hot Fuzz, in which two identical twins can be identified because one always reads Iain Banks and the other always reads Iain M. Banks.

In April Banks announced that he had inoperable cancer. He immediately married his partner and took a short honeymoon. He was hopeful of living for another year or so, but the news sadly came today of his passing. Banks's final novel, The Quarry, will be published next month.


Bibliography

As Iain Banks
The Wasp Factory (1984)
Walking on Glass (1985)
The Bridge (1986)
Espedair Street (1987)
Canal Dreams (1989)
The Crow Road (1992)
Complicity (1993)
Whit (1995)
A Song of Stone (1997)
The Business (1999)
Dead Air (2002)
Raw Spirit (2003, non-fiction)
The Steep Approach to Garbadale (2007)
Transition (2009)
Stonemouth (2012)
The Quarry (2013)


As Iain M. Banks 
The Culture Series
Consider Phlebas (1987)
The Player of Games (1988)
Use of Weapons (1990)
Excession (1996)
Inversions (1998)
Look to Windward (2000)
Matter (2008)
Surface Detail (2010)
The Hydrogen Sonata (2012)

Stand-alone SF novels
Against a Dark Background (1993)
Feersum Endjinn (1994)
The Algebraist (2004)

Short Fiction
The State of the Art (1991, includes both Culture and stand-alone stories)
The Spheres (2010)